9/2/2023 0 Comments Dark thoughts drawingHis reviews also appear periodically in the Journal of Aesthetics and Art Criticism and in Choice magazine.Ĭhapter 4 The General Theory of Horrific AppealĬhapter 6 The Livid Nightmare: Trauma, Anxiety, and the Ethical Aesthetics of HorrorĬhapter 7 Aristotelian Reflections on Horror and Tragedy in An American Werewolf in London and The Sixth SenseĬhapter 9 Heidegger, the Uncanny, and Jacques Tourneur's Horror FilmsĬhapter 10 Hitchcock Made Only One Horror Film: Matters of Time, Space, Causality, and the Schopenhauerian WillĬhapter 11 What You Can't See Can Hurt You: Of Invisible and Hollow Men He has published articles in The Journal of Value Inquiry, Kinoeye, and Film/Literature Quarterly. He is Editor of the journal Film and Philosophy, and secretary-treasurer of its sponsor organization, the Society for the Philosophic Study of the Contemporary Visual Arts. For more information, please visit his "website".ĭaniel Shaw is Professor of Philosophy and Film at Lock Haven University of Pennsylvania. Steven is editor of New Hollywood Violence and The Horror and Psychoanalysis: Freud's Worst Nightmares, and co-editor of Understanding Film Genres and Horror International, all forthcoming. He has published widely on the horror film and related genres, and is author of the forthcoming Designing Fear: An Aesthetics of Cinematic Horror. candidate in Philosophy at Harvard University and in Cinema Studies at New York University's Tisch School of the Arts. Since the publication of Noël Carroll's groundbreaking study, The Philosophy of Horror or, Paradoxes of the Heart (1990), and including most recently Cynthia Freeland's The Naked and the Undead: Evil and the Appeal of Horror (2000), a plethora of articles have been authored by seemingly normal philosophers about the decidedly abnormal activities of the antagonists of fright flicks. The emotional effects it has on audiences, the mysterious metaphysics of its impossible beings, the controversial ethics of its violent contents-these are just a few of the concerns to have drawn the attention of scholars and students alike.not to mention the genre's legions of fans. Over the past several years, one of the hottest topics in the realm of philosophical aesthetics has been cinematic horror. Contributors include Curtis Bowman, Noël Carroll, Elizabeth Cowie, Angela Curran, Cynthia Freeland, Michael Grant, Matt Hills, Deborah Knight, George McKnight, Ken Mogg, Aaron Smuts, Robert C. This is a collection of highly engaging and provocative essays by top scholars in the increasingly interrelated fields of Philosophy, Film Studies, and Communication Arts that deal with the epistemology, aesthetics, ethics, metaphysics, and genre dynamics of horror cinema past and present. Is horror a fundamentally nihilistic genre? Why are those of us who enjoy horror films so attracted to watching things on screen that in real life we would almost certainly find repellent? Do monster movies have a deleterious moral effect on their viewers? In seeking to answer such questions, as well as a host of related ones, Dark Thoughts reveals that our fascination with horror cinema, and the pleasure we take in it, is in the end simply a natural extension of a philosopher's inclination to wonder.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |